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Tears of perfect moan generate, create none none in none projectsbarcode printing .net c# vs2010 motifs associated with marr none none iage and death, ones that only Milton would put to more successful and rhetorically integrated use. The poem appeared in 1627 as part of Elegies vpon sundry occasions, a collection of funeral verses and familiar epistles that Drayton appended to the volume containing his long poem, The Battaile of Agincourt. The Fallowfield elegy is the last poem of the elegies section and concludes the volume.

I know of no reason why Milton should not have owned a copy of the book, although I am the first to argue any explicit connection between the elegy and his work.15 The Lady of Drayton s poem has not been identified, and its occasion is therefore unknown.16 Given the suggestiveness of her name, it is possible that she is an invention of the poet, but it is also true that the other elegies in the final section of Drayton s volume are all about or addressed to identifiable historical persons, so we can assume that the same is true of this one.

In any case, for our purposes, what matters most is Drayton s decision to treat the death of Elianor Fallowfield explicitly as a death in childbirth. Drayton begins the poem with an attack on death for taking the young and healthy rather than the old, the already sick and dying, the hopelessly indebted, or the enslaved. All of these ask for death, he tells us with an indignant sense of irony, and death never comes to them, visiting instead those who need him least (or at least do not need him yet).

Mistress Fallowfield had much to live for. Not only was she young and virtuous, but she was teeming. Appalled that death has taken both her and her child ( even at once both flower and seed, line 22), the speaker launches his third verse paragraph with what at first sounds like a threat aimed at death himself.

This quickly gives way, however, to a warning to death about the consequences of his actions, not for himself but for humankind as a whole:. bar code In addition to the long tit le poem, the volume includes several other longish works (a complaint, a pastoral sequence, and three narrative poems). Milton may have adapted line 29 of the fairy narrative Nymphidia ( My pretty light fantastick mayde ) for line 34 of L Allegro ( On the light fantastick toe ). Carey cites the line as an analogue, but does not note that, in addition, the publication of Drayton s volume precedes our earliest estimates for the composition of the companion poems by about two years.

The publication date also suggests that the OED is incorrect to cite Milton s line as the first example of the combination light fantastic. The final narrative poem in the volume, The Moone-Calfe, comes just before the section of elegies, and commences, as I said earlier, with a detailed description of a monstrous birth. Milton may have derived some of the details he used in the allegory of Sin and Death from this poem, but the connection is not as close as it is in the case of the other more commonly cited sources: Michael Drayton, The Works of Michael Drayton, ed.

William Hebel, 5 vols. (Oxford: Basil Blackwell, 1961), vol. III, pp.

125, 166 202, and 242 3. William Hebel indicates that there was a family of that name in the parish of St Pancras, Soper Lane, and that Eleanor might be the wife of George Fallowfield, 1571 1617, citizen and haberdasher and son of Edmund (d. 1578).

He is, however, uncertain about this possibility, and offers no evidence of a connection with Drayton. See Drayton, The Works, vol. V, p.

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